Julie Tolentino

Julie TolentinoJulie TolentinoJulie Tolentino

Julie Tolentino

Julie TolentinoJulie TolentinoJulie Tolentino
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Words

2017-2018 HMD Community Engagement Residency Inagural Artist

Joe Goode Annex, Nov 2018: Larry Arrington, Maurya Kerr, Xandra Ibarra, and Amara Tabor-Smith

Joe Goode Annex, Nov 2018: Larry Arrington, Maurya Kerr, Xandra Ibarra, and Amara Tabor-Smith

Julie Tolentino invited four beloved Bay Area Artists for a monthly one-to-one and group experimental encounter.  Special thanks to artists: Larry Arrington, Maurya Kerr, Xandra Ibarra, and Amara Tabor Smith; herbalist Jennye Patterson; sound artist, Patrick Murch, and writers, Debra Levine and Scot Nakagawa. 


Hope Mohr's observations + J Tolentino's writing & images, video excerpts from the NOVEMBER 2017 group practice in performance: a.u.l.e. - an unnamed lived experience and FEBRUARY 2018 final project: ".bury.me.fiercely."

Joe Goode Annex, Nov 2018: Larry Arrington, Maurya Kerr, Xandra Ibarra, and Amara Tabor-Smith

Joe Goode Annex, Nov 2018: Larry Arrington, Maurya Kerr, Xandra Ibarra, and Amara Tabor-Smith

Joe Goode Annex, Nov 2018: Larry Arrington, Maurya Kerr, Xandra Ibarra, and Amara Tabor-Smith

a.u.l.e. -an un-named lived experience

& being with another seems to go by very fast. so much information. so much to tend to think about and the how of time talking thru how we resist,  breakaway then give away. sensing bringing forward slinking back. why and what? stutter gasp. wait. what i wanted to say (because some fumbly dimming) and what that is: to be interested in. drop narrative like how there can be a split in the because. so description does not have a together & becomes again. the title perspectives. thin lines might be imagining the experts - leaning, convening and reverie and skins and what’s missing and all those rising - break - to see the small axis as axes. rushing to get it right. hard corps proposition stained and streaming. herbal opaque judge and unrecognizable currents and cruelty with utopia’s little edges. the separate conversations radiate dark root bodies & instead an aural portal, a vibe. or two or three or four or five or seven of us with each other’s other/s. All together. All a part of this.

-Durational Practice in
wa

.bury.me.fiercely., 2018 at THE LAB in San Francisco

Joe Goode Annex, Nov 2018: Larry Arrington, Maurya Kerr, Xandra Ibarra, and Amara Tabor-Smith

.bury.me.fiercely., 2018 at THE LAB in San Francisco

Photo: Hillary Goidell

Entangled Vulnerabilities: Julie Tolentino’s .bury.me.fiercely. by Gigi Otálvaro-Hormillosa

Guest Editor: UK UNBOUND BOOKSTORE

THE MAGICAL ORDER of....a YBCA + Larkin St Community Project

.bury.me.fiercely., 2018 at THE LAB in San Francisco


My practice is often unpractical. It claims to do, and be, so many things and it functions along thick and thin lines. It misses its mark and sometimes senses things before its time. It never is on time.


continued at link below..

JT writes about her Practice & offers unbound recommendations

THE MAGICAL ORDER of....a YBCA + Larkin St Community Project

THE MAGICAL ORDER of....a YBCA + Larkin St Community Project

THE MAGICAL ORDER of....a YBCA + Larkin St Community Project

YBCA 1-Year Community Project: Tolentino / Video collaboration with Kadet Kuhne

2013-2014
Links to (4) video gifts offered to the participants


Video and editing collaboration with Kadet Kuhne. Sound: Kadet Kuhne. Project Assistant: Ryan Tacata


THE MAGICAL ORDER OF...(video) To request password, click and go to bottom of Main page.

(partial) Bibliography



Hentyle Yapp; To Punk, Yield, and Flail: Julie Tolentino’s Etiolations and the Strong Performative Impulse. GLQ 1 January 2018; 24 (1): 113–138. doi: https://doi.org/10.1215/10642684-4254522 



Lepecki, André. “The Body as Archive: Will to Re-Enact and the Afterlives of Dances.” Dance Research Journal, vol. 42, no. 2, 2010, pp. 28–48. JSTOR, JSTOR, www.jstor.org/stable/23266897.



Elisavet Pakis (2014) Julie Tolentino’s Queer Mestiza: Unsettling a White Western Order of Subjectivity and Belonging, Contemporary Theatre Review, 24:1, 21-39, DOI: 10.1080/10486801.2013.858326


“How Do You Archive the Sky?”, Tara Hart, Archive Journal Issue 5, Fall 2015 http://www.archivejournal.net/essays/how-do-you-archive-the-sky/


Debra Levine, “Expendable Archives,” presentation at the Radical Archives Conference, NYU, April 2014. 


“Enduring Archive”, Vivian Crockett in The Poetry Project & Art Forum and POZ, December 2015, ALTERNATIVE ENDINGS, evidence, video, 2014 (with A Severance): https://www.poetryproject.org/15720-2/ & https://www.poz.com/blog/evidence-induces-a-s


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